One of Chemikal Underground’s most under-rated and under exposed acts
was De Rosa, a five piece hailing from Lanarkshire, Scotland. In their
lifespan they managed to release two commercial albums, 2006’s Mend and
2009’s Prevention before disbanding and joining the ever growing ranks
of innovative indie bands crushed by the weight of the falling record
industry. Since disbanding in 2009 very little was heard of the band
except lead singer Martin John Henry who set to work establishing
himself as a solo artist with 2011’s The Other Half Of Everything, but
in 2012 the band revealed they had reunited. Four years and a few
scattered live appearances later and De Rosa have finally gotten round
to releasing their third album; Weem, on Mogwai owned record label Rock
Action Records.
For the uninitiated the music of De Rosa
is a heady mixture of indie folk with a touch of post-rock grandeur.
Whilst the band’s first album Mend was more of a punchy guitar driven
album, 2009’s Prevention was the start of the bands movement into this
more polished and diverse sound, which in part is what made the bands
break up so lamentable. Weem is a continuation of this more refined
aesthetic and every part of Weem is teeming with subtle graceful
flourishes. The guitars range from melodious electric reverb to the
delicate acoustic at a pace that feels organic and consistent whilst
Martin John Henry’s trademark Scottish brogue completes the bands unique
and instantly recognisable sound. Sporadically keyboards, pianos and
glockenspiels make themselves known which reinforces the albums
diversity of sound and attention to detail. All of this combines with
Henry’s penchant for traversing what feels like quite dark territory in
his lyrics. The overall effect is something singularly magical, a record
of such fine detail it stands as a stark reminder as to why De Rosa
were so dearly missed in their absence. Devotees of the band will
recognise some of the songs on offer here as songs originally released
as part of the digital only series Appendices which saw the band release
one song a month in 2008 for free download. These songs however have
been lovingly re-recorded in somewhat altered forms here to prevent them
seem too much like money for old rope, and to be honest even in their
original forms these songs stood out as some of the bands most catchy
material at the time so tracks like The Sea Cup and Prelude To Entropic
Doom were always truly worthy of a commercial release. Meanwhile newer
compositions such as lead single and opener Spectres and album closer
The Mute are so hypnotically catchy it is hard not to see them joining
the bands ever swelling ranks of canon compositions.
From start to
finish Weem matches up to the promise De Rosa alluded to before their
premature break up with Prevention. With seldom a dull moment on it the
whole album marks a most triumphant return for a group who have
certainly been too long away. Available on CD or vinyl through Rock
Action Records I strongly advise you to give it a spin.
Physical/Download: http://rockaction.co.uk/releases/5426/weem
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